Director Georgi Banks-Davies has come to love the change of seasons–specifically in terms of how…
While season 2 of Wednesday (Netflix) eclipsed the first season relative to the sheer number…
A sense of familiarity balanced by a set of fresh new eyes–a mesh reflected in…
Lesli Linka Glatter, a three-time DGA Award winner, found an element approaching narrative perfection in…
Bringing nearly 40 boys–all under the age of 12–together even under normal circumstances is a…
With Emmy nominations set to be unveiled next week (7/15), SHOOT looks back on its…
Editor’s note: While SHOOT officially began its latest weekly The Road To Emmy Series just…
The second season of a hit show is inherently challenging–living up to the high bar…
Jonathan Tropper explained that some “15 years of living in Westchester” helped in part to…
Striking a narrative balance between the past and the present–each informing the other, perhaps most…
The narrative pendulum of The Pitt (HBO Max) has swung in a direction that’s brought…
When Randall Einhorn took on the then brand new Abbott Elementary (ABC) as a director…
Each episode of the four-part drama series Adolescence (Netflix) was shot in a single continuous…
Director DeMane Davis recalled when Parul Agrawal, SVP of drama at Warner Bros., reached out…
One production designer has seen his most recently released work for series creator Ryan Murphy…
The collaborative bond between editors Shelly Westerman, ACE and Payton Koch runs deep–but is only…
MySHOOT Company Profiles
What would you do if anything were possible? That’s the question at the heart of…